Four friends play an evening game of dominoes, drink, and talk about women. Each one is going through or has recently experienced a painful breakup. Wesley seems to have worked through his, even though it took him close to suicide. Glenn turns inward; he's depressed and sometimes weepy. Chris seems mad at the world. Sammy looks low-key and self-contained. They know too much about each other, so as the dominoes clack and the liquor flows, the hostility they've been expressing about women gets turned toward each other.

In a big city, people lead their own lives with hope and determination. For some, the lives can be sweetened a bit with the flavor of love.

Family, football and history come to life in an intimate portrait of the Dean family, longtime residents of the historic town of Pahokee, Florida. We take a journey back home, with filmmaker Ira McKinley, to the land of sugarcane, as he reconnects with his niece Bridget and nephew Alvin and explores their shared family history that spans seven generations. Told through stories that transcend space and time, Outta The Muck presents a community, and a family, that resists despair with love, remaining fiercely self-determined, while forging its own unique narrative of Black achievement.

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Fly on the wall following two contestants Chris and Kem as they leave Love Island.

After being disappointed by her husband, Anna decides to put an end to their marriage and tries to get her life back on track. But how should she continue with her life and her children, Lou and Vic, through which she'll be connected with her ex forever?

Kalli, a young girl with a strong character, works in a retirement home with Christel, a transsexual who animates dancing teas. On New Year's Eve, they meet Norman. As Christel tries an approach, he seems to be interested in Kalli .

They love me / They love me not / They love me recalls a childhood ritual of seeking emotional certainty in an uncertain world. In an era of digital, emotional and urban noise, the film offers a slow, physical meditation on how we hold complexity. Performed by Juno award-winning musician and composer Ben Brown, the film helps us re-imagine the modern drum solo by using movement to communicate the energy of sound. Filmed in Vancouver, BC’s Downtown eastside the film traces a journey from the streets to the studio. Sounds spill from the drum kit into the streets playing with our perception of noise, disorder and sacred space. The contrast between Vancouver’s raw street energy and the sterile stillness of the studio raises critical questions about how the broader world lives inside us—even in our most private rituals. A mostly improvised performance, this piece seeks to find solace in the unknown by asking not “who loves me?” but: “how do I live with the not knowing?”

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